May 4

Album of the Month: April 2008

Category: Music

As I’d suspected/feared, Grand Theft Auto IV has pretty much ruined my ability to do…well, much of anything, really. Long way from being done, but that’s sort of been a purposeful thing, as I want to extend the experience as long as humanly possible. Yeah, it’s that good.

Onto the matter of music. April wasn’t quite the daunting task that March was, but there were still plenty of excellent albums released. Also, this month, and depending on how people respond to it, perhaps in future months, I’m going to be adding a little something new. You’ll see what I mean later in the post. Anyhow, onto this month’s selections.

Los Campesinos! - Hold On Now, Youngster…

Listening to Hold On Now, Youngster for the first time reminded me a great deal of the first time I heard Broken Social Scene, The Go! Team, and Architecture in Helsinki. And it’s not just because Los Campesinos! sound like a very British smooshing of all these bands, but also because the music carries the same level of creative awe. This is high energy indie pop at its best, mixing playful lyrics, shouted chants, and “throw it all at the wall and be amazed when everything sticks” instrumentations and arrangements. It’s chaotic, effervescent, and exceedingly catchy the whole way through, with tracks like “Don’t Tell Me To Do the Math(s)” and “You! Me! Dancing!” being particular standouts. This doesn’t quite unseat Murder By Death as my favorite of the year so far, but it came damn close.

Key Tracks: Broken Heartbeats Sound Like Breakbeats; Don’t Tell Me To Do the Math(s); You! Me! Dancing!

Honorable Mentions

Tokyo Police Club - Elephant Shell

Tokyo Police Club’s A Lesson In Crime EP from 2006 was one of the hidden gems of that year, lost amid the swarms of bands like The Cold War Kids and Silversun Pickups. An exciting mix of thrashy punk and straight ahead indie rock, the band made a grenade blast of an impression. Elephant Shell, then, is something of an unexpected follow-up. The energy is still present, but it’s been dialed back a touch, with a greater emphasis on focused songwriting and melodies over straight up reckless abandon. I can’t say that I like this approach any more or less than the band’s earlier sound—it’s just different, and still incredibly enjoyable.

M83 - Saturdays = Youth

Hands-down, flat-out, the most ’80s album you’ll hear produced in the 2000s. Saturdays = Youth is the work of French electronic act M83, which up to this point, has been best known for making heavily instrumental ambient electro. While S=Y is certainly ambient in its own unique way, gone are the instrumentals and glitch noises in favor of pure ’80s synth pop in the vein of the Cocteau Twins and Simple Minds, with a layer of My Bloody Valentine-esque shoegaziness layered over it. If I may steal an incredibly accurate line from the AllMusic review of this album, this is like the fantastic soundtrack to the best John Hughes movie never made. If songs like “Skin of the Night” and “Graveyard Girl” don’t make you feel like you just discovered a hidden radio station in GTA: Vice City, you clearly don’t know your ’80s.

The Roots - Rising Down

I had kind of given up on The Roots until 2006’s Game Theory, which reminded me exactly how talented of a group they could be when they put their minds to making something coherent and exciting. Rising Down is a more than worthy follow-up to that great record. The production might just be the best of any Roots record to date, and lyrics that at least generally rival the quality of Game Theory’s tracks. Lots of great guest spots too, including Common, Mos Def, and Taleb Kweli. Hell, even the skits are kind of entertaining, especially the intro track which features a recording of a screaming argument Black Thought and ?uestlove had with a past manager. For sure, it sets the tone for what’s to come on this intense and engrossing album.

The Night Marchers - See You In Magic

Rocket from the Crypt are still one of my favorite bands of all time. As a result, anything featuring vocalist/guitarist John Reis is at least worthy of my attention. I can’t say I ever got terribly into Drive Like Jehu or Hot Snakes, but The Night Marchers album caught my attention. Maybe it’s because this reminds me a lot of a horn sectionless version of RFTC, albeit with a slightly more straight ahead rock-’n-roll bent. There isn’t a lot that I can say about this album outside of the fact that it just plain rocks. It’s like The Mooney Suzuki if The Mooney Suzuki weren’t brain dead. Reis sees to that with some clever, catchy lyrical content. It’s not indie rock. It’s not punk rock. It’s just fucking rock.

Other albums worth checking out from the month of April include:

  • Phantom Planet - Raise the Dead
  • Sun Kil Moon - April
  • The Black Keys - Attack & Release
  • The Sword - Gods of the Earth
  • The Ghost Inside - Fury and the Fallen Ones

Now then, I said I was going to add a little something new to the mix this month, and I am a man of my word.

One thing I’ve recently realized is that for as much good as I do on here championing the new and up-and-coming of the music scene, I don’t do a particularly good job of championing the classics, the bands I’ve loved for years prior to my ability to blog about them. So each month, I’m going to highlight an individual band/artist whose catalog I believe deserves a look by anybody who shares similar music tastes to my own. These will likely be picked based on random whims at the time I happen to be writing these, IE bands that have come up on my iPod’s shuffle playlist recently, so don’t expect much genre or level of popularity consistency with these.

So, without further ado, April’s Artist of the Month is:

Mission of Burma

Boston’s Mission of Burma formed in 1979, made two astonishingly good albums in 81 and 82 (as well as a great live album in 85), promptly broke up, reformed 20 years later, and then proceeded to start releasing albums again like they never ever stopped. Most bands can’t maintain that kind of quality while staying together that long, let alone reforming cold and getting right back to it. It’s uncanny, and awesome.

The first time you hear Mission of Burma’s first couple of albums, you’d swear you were hearing something from the modern indie scene. It’s really quite bizarre how ahead of its time the ’80s material sounds, but lo and behold, the discography doesn’t lie. This stuff really came out of the ’80s, and holy shit does it shed light on where so many of today’s bands get their influence from. A lot of that stuff people call “post-punk” nowadays pretty much sounds like it’s taken a great deal from MOB’s early records. What’s really depressing is that I’d never even heard of Mission of Burma until a couple of years ago. Once I did, I was hooked something fierce.

There’s a great collection of reviews of Mission of Burma’s entire discography over at Ground Control should you be interested in learning more.

Three Must-Own Albums

  • Signals, Calls, and Marches - If you can, get the Matador rerelease. Extra tracks, and remastered.
  • Vs. - The first full-length album. Intense and amazing.
  • ONoffON - The ‘04 comeback LP. Only slightly better than ’06’s The Obliterati, which is also great.

So, yeah, check out Mission of Burma, and let me know if you like this addition to the monthly music wankery. As if I haven’t found enough ways to force people to go bankrupt buying music, right?

11 comments

Apr 28

The Bomb Is About To Drop

Category: Gaming

I’m sitting here at the Giant Bomb offices in Sausalito, CA, staring at an impossibly large Mac monitor that is leaving me with a severe case of display envy. Across from me, Jeff and Ryan sit fiddling away on their laptops, listening to LCD Soundsystem, and messing with chat clients and live stream technologies as they prepare to get their GTA marathon on.

I hadn’t necessarily planned to get all “OMG MIDNIGHT LAUNCH AWESOME” for GTA IV, but the more I see of the game, the more I can’t help but feel like I need to be playing this immediately all the time forever. So in about 20 minutes, we’re going to saunter over to the Marin City Best Buy and hop in line with the unwashed masses so that we can partake of the Grand Theft Auto madness for as long as we can possibly stay awake tonight. I feel sort of weird not just going home to play myself immediately after plucking it off the shelf, but I can’t pass up the opportunity to experience some marathon action with the posse here. Plus, if it’s really the life changing experience the critical brain trust would like you to believe it is, I somehow doubt I’ll mind seeing the first few hours twice.

Best part of the night thus far was when, after partaking of the local Outback Steakhouse and before returning to record the first portion of this week’s Giant Bombcast, we stopped by the BB to see what the situation was, and when faced with a rather general question of what supply was going to like, the zit-faced manager kid went all salesman on us and was like, “We’ve got a lot of copies, plus as a cool thing we’re going to have some really nice laptops and HDTVs out for sale as well.” You know, because they don’t normally have that stuff. I really wanted to ask if the game would somehow play on the laptops, but decided it was best to just leave that bad boy alone.

You know, now that I think about it, I do need a MacBook…no. Not tonight.

If you’re up at the required, retarded hour to check it out, be sure to come watch Giant Bomb’s GTA IV marathon, which I’m sure I’ll only be a vague presence on, but regardless, IT’S FUCKING GTA IV. Also, look for an Album of the Month post sometime this week, provided I don’t find myself hopelessly lost inside Liberty City for the next several days.

UPDATE: OK, so I ditched those suckers and went home with my copy to play. Watching them both play simultaneously was going to kill me to death. Good times here I come!

15 comments

Apr 19

So, This Happened…

Category: Personal

3 hours of work. Fully worth it.

Props to ZZoMBiE13 (AKA Paul) for the character designs, and Clint at EyeSpy in Petaluma for the work.

33 comments

Apr 16

Oh Lord, What Hell Hath I Wrought?

Category: E-Mails

I guess you could also call this “I Get Awesome E-Mails, Vol. 2.”

As you may or may not have noticed, I recently got my very own Passive Aggressive Note. Before I go any further, a bit of added backstory.

This popped into my inbox in December, back when I was still at GS. I remember getting it, reading it about three or four times, trying to figure out if someone was playing a joke on me, showing it to a few other editors, having them gawk at it for a while, and finally coming to the conclusion that it might just be the best piece of individual hate mail I’d ever gotten regarding a review. It’s just so, so classy. From the acerbic tone to the weird bit of “woe is us” pity partying slathered over the whole thing, not to mention the misspelling of the game’s title in the subject line, it’s just such a phenomenal piece of irrational writing all around.

So, with the thought in mind that I might be leaving GS at some point, I forwarded it to myself, and then kinda forgot about it when I, well…when I actually quit. About a month or two ago, I started digging through my inbox looking to clean it out, and rediscovered this little sparkling gem of ridiculousness, and thought to myself, “You know, this is pretty passive aggressive. Hey, I know a place where this sort of passive aggressiveness will be cherished like the sparkling diamond it is!” and promptly submitted it to PassiveAggressiveNotes.com. Then I kinda forgot all about it again until a week ago when Kerry from PAN wrote asking if she could link to the original review. Now it’s up for all to see, and apparently, a few people noticed.

I’ll be honest when I say that I think calling this sort of thing “news” is a bit dubious. I submitted the note just because I thought it made for a decent piece of entertainment. I wasn’t trying to out anyone as being jerks or make some big statement on behalf of game journalists who get constant barrages of undue shit from publishers. I just thought it was funny. But then I see threads popping up on Neo GAF and other random places and I find myself realizing that, A. I grossly underestimated the size of PAN’s audience, and B. people seem to be rather hypersensitive toward anything involving perceived conflicts between the media side and the publishing side of the biz these days. Why? I can’t imagine.

It was interesting getting a bunch of notes from people either saying they thought it was awesome that I had something up there, or occasionally asking me if I was worried that I might piss people off by going public with something like that. Honestly? Not really. Like I said, I didn’t submit that note with any malicious intent. I just felt like sharing a piece of stupidity from my personal files. If I happen hurt Majesco dude’s feelings or something, I’m terribly sorry. Maybe I’ll send him a nice basket of mixed-fragrance soaps, or let him borrow my Maybach that runs purely on my own sense of self-satisfaction. Its highway mileage is totally tits.

Oh, and the best part of the whole story? I was in a job interview when I found out about the Joystiq news story. One of the fellows I interviewed with earlier in the day comes running into the lobby right before I leave and says, “Dude, you’re in the news!” Always a fantastic way to make a good impression. Fortunately they were cool about it, but Jesus effing balls, man. Talk about bizarre timing.

15 comments

Apr 12

Car Hole Sale

Category: Personal

My girlfriend and I moved into our current place just over four years ago. In that time, we have cleaned out our garage a total of zero times. Add to this the fact that we found it necessary to bring along a lot of useless garbage from our past that could easily have been tossed or donated before we moved in, and the result is a garage you literally could not walk more than a few feet in before bumping up against some box full of action figures or ancient computer parts or old closet doors or stacks of old comforters or so on and such…

A few weeks ago we made it our mission to clean this fucking thing out, and after a couple of days of hard labor, a $20 entrance fee to the local dump, and more “Ack! A spider!” exclamations than any reasonably masculine male should ever utter, the place looks almost usable. After this weekend’s garage sale, it should be entirely usable.

I kind of hate garage sales. I suppose I don’t mind hosting them so much, but every time I go to one, I’m utterly amazed at the kind of garbage people expect others to buy. Even looking through my crop of crap, I have a hard time believing people will actually fork over for most of this stuff. Then again, every time I do go to one, people are always buying the most ludicrous garbage, so maybe I’m just not giving my particular cache of crap enough credit.

Some of the highlights include:

  • A BMX style bike I bought from a buddy of mine a few years ago for like $100 mostly because he was desperately trying to move to Florida and needed cash. I rode it around town a few times, but it was a little low for my tastes.
  • Several video games, most of which were sent to me for review purposes. Want a copy of Insecticide for DS, or Conflict: Denied Ops for the 360 on the cheap? I’ve got you covered. I’ve even got a copy of Duck Dodgers for the N64 I’m selling for $3. How’s that for a deal?
  • Several terrible novels, including the worst book I’ve ever read in Nick McDonnell’s “Twelve.” If you’ve ever wondered why most 17 year olds aren’t given publishing deals, this half-baked, insightless tale of drugged out WASPS is a pretty good example.
  • A lot of coffee table books given to me as gifts over the years that I frankly can’t quite understand the reasoning behind. I don’t remember ever expressing any interest in R. Crumb comics at any point in my life, so why do I have a gigantic collection of all his shit?
  • All my old Dilbert, Garfield, The Far Side, and Calvin & Hobbes books from when I was a kid. Because you really have to be like eight years old to find Garfield funny. Now Garfield Minus Garfield, that’s another story.
  • Action figures galore. For some stupid sentimental reason, I didn’t throw all of these out in my later teen years when I really, truly should have. My SF II and WoW figures will remain unditched since I still kind of like having those on display, but all my old wrestling figures, comic book figures, GI Joes and such from when I was a kid, those need to disappear. Some kid somewhere wants a Rowdy Roddy Piper and a Wolverine just so he can finally answer the age old question of who would win in a fight. My money’s on the Hot Rod.
  • CD books. Because seriously, who still has CDs?
  • Wine glasses my dad dumped on me. Because seriously, who drinks wine?
  • Guitar Hero controllers, because I have eight dozen of them. Somebody’s going to take this shitty wireless ANT Commandos PS2 controller, or somebody’s going to die.
  • A Lazer Tag gun I bought at the Grocery Outlet a couple of years ago because it was a fucking Lazer Tag gun at the fucking Grocery Outlet. Do I need a better reason?
  • A pair of gun-shaped lighters that came my way via the folks at Midway to promote Stranglehold. They’re kind of cool, but there is absolutely no reason why I would want to keep those.
  • DVD movies that I either bought better versions of recently (IE Scarface, Battle Royale) or got for free and have no intention of ever watching again, like Existenz (pretentious), Free Enterprise (awful), and the first two Saw movies (boring). Great stuff, I know.
  • Old baseball and comic book cards that I have no intention of sorting. Someone’s going to pay me a few bucks and get a very big box full of crappy cards. Or they’re going in the trash. Don’t worry, all my good baseball cards (the McGwire rookie, Griffey Jr. rookie, etc) are stashed elsewhere. This is the dregs.
  • More old t-shirts, sweatshirts, shorts, pants, shoes, coats, and hats than any human being should have the right to own. The sad part is that even with all this clothing purging, my closet is still basically full.

There’s more, but those are the disgusting highlights. The one real bummer about all of this is that I have to be up at like 7:30 to make this happen. I guess it’s not such a huge deal, since I sleep in pretty much every other day of the week, but I just don’t want to be a total zombie. Fortunately, I have a secret weapon. Remember those awful Mini-Thin Rush energy shots we made Ryan review on the Giant Bombcast several weeks ago? Yeah, I have a second one saved up for just such an occasion. If anyone wants to see what a deranged lunatic looks like, swing by my place tomorrow around 8:30. I imagine the cops will have been called, and fires will have been set. Good times.

UPDATE: 11:05 AM

The gun nut who lives across the street bought the Stranglehold gun lighters, peeled the logos off of them, and then proceeded to fake shoot at neighbors driving by. God bless America.

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